Showing posts with label kevin durant. Show all posts
Showing posts with label kevin durant. Show all posts

Wednesday, February 13, 2008

The Self, The Other, The Home Team

When I was in high school, I was ecstatic to purchase the fourth album by Weezer on release day. I think I speak for every skinny nerd with glasses when I say Pinkerton and the Blue Album were my life. And I even thought the Green Album was pretty nifty. So, with a new album coming out, I was of course excited. I was a fan.

I was also an idiot. History, taste, record sales, cursory and in-depth listens, and common sense bear me out when I say that the record is awful. I’m writing this on the road, where I don’t have access to it, which is not an oversight: I haven’t intentionally listened to the album, in whole or in part, for at least three years. Their first albums were brilliant, but just because I loved what they did doesn’t mean I would love what they would do. After that experience, while I will always love Rivers and will always love that band, I will not blindly follow where they lead. I’m wearing an Against Me! sweatshirt but I’m not an apologist for “White People for Peace” or half of their last album.



In Oxford, there’s a bookshop called Blackwells. It’s described in the sort of grandiose superlatives that comes with college towns in general, and prestigious ones in particular. I’ve been traveling with only Ellis’s “Founding Brothers,” which while by no means serious history, still encouraged me to pick up a counterweight. This led me to pick up the only purchase that I’ve been even slightly embarrassed to hand to a cute, hipster book clerk - Simon Barnes’ “The Meaning of Sport.” In a cascading series of anecdotes that reads somewhere between a neonhustle post and a piece of longform journalism, he touches on all manner of topics related to sport (interesting), the process of writing about it (more interesting), and his hobbies of bird-watching and equestrianism (not interesting in the least).

Perhaps one of his more interesting digressions, though perhaps only because I was predisposed to the topic, is on the matter of fandom, or fanship as he calls it. Why is it that people tie themselves and their emotions to the successes and failures of athletes and clubs. As the match drew to a close and United could only strike once, Rohan said in passing, “I’m going to have to put three of my housemates on suicide watch.”

A psychotherapist friend of the author explains fanship as “‘A bearable way of facing the fact that God doesn’t love me.’ You desire a certain result, but inevitably, there are times when you are thwarted. The act of fanship, then is a way of seeking out and finding disappointment.” While Barnes is right to later point out that all human relationships are rooted in the prospect of such loss, we seek out both them and fanship anyway. The reward of each of these, however, is contingent on the risk that we be devastatingly disappointed when they go badly. Perhaps the friend is right to say that the choice to live and die by the standings is a way of buffering us from living and dying by our bank balances, our romances, our lives, but these don’t disappear when we constantly track the ticker to see who won or lost in the division. If we then choose to stake our mental state on the fixtures, which fixtures do we choose?

Chuck Klosterman points to the return of the Browns, and the moment when the identity of the team was so indeterminate that their fans were effectively supporting ‘(a) an incorporated municipality with a shared tax base, and (b) a color best-described as "burnt orange."’ He casts aside the former question of identity, and instead says a true fan places the sport above the team itself. Set in starker relief by international competition, where the allegiances fall within borders and allegiances that we’ve already decided “matter,” loyalty to sports clubs may be no different. Perhaps not in America, where we seem painfully frightened of recognizing any divisions in our society beyond the boroughs that divide Yankees and Mets fans and the peculiar psychological drive to support the Clippers, football teams often fall in the same city and punting says everything. Everton or Liverpool? Man City or United? Celtic or Rangers? Geography, class, religion.

Barnes answers the question of fanship differently than his friend: “Football, then, must be seen as an aspect of love.” That pledging loyalty to a club is part of an innate human drive to love, and perhaps then it matters less who we love than that we love. Then, the choice becomes more a question of with whom you love, than who it is you love. Your side may win or lose, but your father, your neighbor, your factory, your church will always be by your side through it all.



Fanship is an irrational decision. There are plenty of great reasons to follow sport: to appreciate the physical greatness, to respect its global impact, anything. But to believe with zealous fervor in the superiority and righteousness of your side? To support, as some people have said, “the court and the jerseys.” But even those change. The players, the managers, the owners, the stadiums, the kit. In America, even the cities and the names. In the most crass but realistic terms, you’re supporting a transferrable corporate entity. Any Sonics fan reading this knows what I’m talking about.

When I was a student, I hated college football. The American kind, to clarify. Not only did loath the culture that surrounded it - misogyny, binge drinking, pink polo shirts - but it inculcated a mindset that seemed closer to a right wing nationalist rally than an open-minded, liberal university that I hoped to find while doing my undergraduate degree at a notoriously hippie school. Demonizing the other and claiming superiority based on group membership isn’t what I was hoping for in a liberal arts education. And there will be people who say this builds community and spirit, and I understand that. It is with whom we loved.

But what does the same thing do for a franchise? You divide a city, you rally to the cause of raising money for a corporation, you support an ever changing reality behind a corporate facade as you watch a shitty side in the name of being a “true fan.”

Earlier, I nearly ended the paragraph that quips about Sonics fanship with the following dig: “I do.” But I didn’t. In a sense, I am a fan of the club. Since I started following the NBA, there is no team that I would rather see win a game, no team whose roster I know better, whose record I follow more closely, whose injuries I am more personally wounded by. But I am still not sure whether I am a fan of the Sonics. Since I left, they’ve set the court date to determine how and when the new owners are going to rip the Sonics out of their home and ship them off to Oklahoma City. Will I still love watching Kevin Durant as he realizes his near limitless potential? Of course. Will I forgive the franchise’s history of drafting inept big men with bad knees and hiring incompetent head coaches? Less so than I am now.



As much as I learned the lesson with Weezer, I haven’t quite gotten to the same thing with sport yet. In that I give my love a little less easily, I suppose I have, but I still have some vestiges of loyalty to the franchise regardless of their nature. I grew up loving a Mighty Ducks that won by opening a game with one of the faster teams on ice, but I still feel the same loyalty to the team of grinding bruisers and thugs that won the Cup last year. They play a game I like less, but it’s a team I like as much as ever.

FreeDarko is NBA blog that challenges the notion that sports writing can’t be esoteric, brilliant, and over-intelligent, The blog has put forward any number of remarkable ideas, not the least of which has been the device of posting tangentially referential images in longform essays which we here at neonhustle have experimented with unapologetically. The most interesting, perhaps, may be the concept of
‘liberated fandom.’ Potential, excellence, speed, swagger. An inchoate conception of sport that ignores the franchise as a timeless enterprise to be respected and looks at the player, the League, and the team as the canvas on which the former paint and the from which the latter constructs its narrative.

Since I’ve started following the NBA, I’ve loved watching Suns. I’ve loved them because the game they play is the game I like to watch. Steve Nash’s passes threading through holes that I didn’t know were there and production coming from everywhere on the court because they’re always. freaking. moving. But now, with Shawn Marion traded to the Heat for Shaq, who I doubt moves for anything but his remote control, and even then quite slowly, I’m not sure I really care anymore.

I’ll always love the Ducks, because I always will have been there with my Dad and my sister during, and we’ll always have that first finals run and that first cup. But even though I’ll always want them to win, I’ll still love a beautiful save on a breakaway even if it stops us from taking the lead. I might get some personal satisfaction out of my loyalty to Weezer, and I’m sure they’re great guys who really appreciate my support, but I think I’ll listen to someone else’s new music now. I might have gotten something out of the geographical loyalty and city camaraderie to Seattle, but I don’t know how that will last when I’ve moved out of Washington and so have they. But now if you’ll excuse me, I’m going to see how the Lakers are doing with Pau Gasol. I’m not sure if I can love Kobe, but I think I can love the game the play, and I think I can learn to love them with my sister and Brendan. Maybe I’ll call some of those old Weezer fan friends of mine and see what they think of the new Rivers material while I’m at it…

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Tuesday, October 30, 2007

Kids Rock

Two things have been occupying my thoughts recently.

The first started when I saw The Black Kids on the front of the New York Times Arts Section. I didn’t have a chance to read the article then – I have to stay up on the times for my job, and unfortunately that job isn’t “being an insufferable hipster” – but it’s since turned into a minor hullabaloo. Idolator chimed in, arguing against taking absolutely positive stances in favor of bands. John Darnielle put in his two cents against being absolutely absolute in any direction. And while I still haven’t read the article that started it all, I’ve been visiting the band’s myspace every so often for the last month to hear “I’m Not Going To Teach Your Boyfriend How To Dance With You.”

The other has been Kevin Durant, and I’m convinced that the two are deeply intertwined.. First off, I swear I’m not obsessed - it’s actually not Kevin Durant per se, but Andrew Bynum’s development, the phenom that is Lebron James, and what it means to have talent and develop it.

If you haven’t heard The Black Kids yet, you should. Not just because this conversation is meaningless without the context, but because they’re pretty good. They borrow liberally from the Factory Records playbook, throwing in some Robert Smith vocals over amateurish guitar strumming and shout along hooks that all get to the point, if not with subtlety, with a whole bunch of fun.

But this band is not ready for the NBA. When I started reading up on basketball, and Kevin Durant, it took me a little while to understand thing like “Kevin Durant’s body may not be NBA ready” and “Kobe is in the prime of his career,” but now I’m starting to see how the connections between sports and music may go deeper than blog posts like these and explaining “sophomore slump” records.

In the blog buzz era, where there really isn’t enough time to hear every band that crosses the internet radar, there really isn’t much room left for nuance. Bands get lumped into good and bad dichotomies because if you equivocate on good, people will move on to listen to the unequivocally good, and most writers enjoy writing hate pieces too much to leave the benefit of the doubt open for a band without swiftly shutting it behind them. So where does this leave bands like The Black Kids - band with a lot of potential that hasn’t quite gotten there yet?

In the NBA, they’d draft them high and develop them. In the old music industry, they’d have developed locally on their own, maybe reaching beyond by touring in the style made famous more by Our Band Could Be Your Life than Almost Famous. Or maybe gotten signed to a major and done the latter. Who knows? But in the new music industry, they’re pushed into the big leagues before they’re ready, exposed to the cold harsh light of standards they can’t and really shouldn’t be expected to meet, and we wait for their failure. There’s probably an NBA reference here that I could be making, (the restrictions that led to the 2007 Draft Class were instituted for a reason, I suppose) but my hoops knowledge isn’t there yet.

I’m not saying we should go backwards – there’s a lot I like about the state of music today, especially compared to the way it used to be – but I do think it’s time to rethink how we talk about bands, and the standards we hold artists to while they’re still developing their talent. While music history is littered with debut albums that shattered everything we thought we knew about the medium, we’re not even expecting bands to do that. We’re expecting them to do it with the first demo we here from them on Myspace.

By now, I take it you’ve listened to The Black Kids, and you’ve probably got your thoughts on the songs, but put those aside for a minute. Now think about what this band could sound like on their first full length. Think about what it could sound like when they tighten up the beats and make the arrangements go somewhere, but keep the fun and the energy. Think about what it will sound like when you’re pushing those nifty bass lines through something other than your computer speakers. And think what will happen when that bass player realizes he can play half the notes and be twice as awesome. Pretty sweet, right?

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Thursday, October 25, 2007

My Name Is

While there might be a couple good reasons to bring me onto a group blog, one of them isn’t my sports knowledge. When the weekly pub trivia night comes around, our team draft can usually count on me to produce solidly in the culture and current events categories, with a couple clutch saves in science and whatever random nonsense the quizmaster tosses into the mix. Usually the discussion on a sports question where we’ve hit a roadblock goes something like this:


Darryl: Couldn’t it be the Giants?
Team: You just picked the Giants because that could work as a baseball or football answer, didn’t you?
Darryl: Maybe…
Team: Well, that’s a good effort, but it really doesn’t help us figure out who won the Masters in 1986, now does it.
Darryl: That’s the one with the hoop, right?

Then, at the beginning of this summer, something strange happened. My friend Brendan decided to try talking me into becoming an NBA fan. Seeing as I was returning to the Pacific Northwest, and the draft was about to happen, what followed was a two hour long dissertation on Greg Oden, Kevin Durant, and how Kevin Garnett might be the second coming of Christ. I was intrigued and wished to subscribe to his newsletter. Which I did. In the form of YouTube-ing the beejeesus out of Kevin Durant hilight reels.

I was sold.

But this isn’t about how I got so hooked on the game that I had a minor freakout when Durant came down badly on his ankle against the Warriors, putting his regular season opener in jeopardy. I’ve come to terms with the fact that basketball is fucking cool. No, this is about how I’m this close to getting conned into caring about professional football by blogs like Kissing Suzy Kolber. And about how perhaps in a few months, I’ll be able to make a joke comparing the change in my trivia squad to the players on my fantasy basketball team. Because now I have a fantasy basketball team.

Hi, I’m Darryl and I’m a recovering sports anti-fan and I promise my next post will be more indie than this.

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